VET-MAN: On the Road - gets licensed revoked and has to redeem himself
Risk assessments
Cast - improv experience
Schedule for Alex, scripts etc, how many drafts of script do I want?
Think of practicality
Budget - GoFundMe
Detail needs to be in there
Understand the work of a producer
Not just an organiser - I have a creative overview
Overall creative decision - find what that overarching project is
Researching producers / what they do - what I'm going to be taking out of it
Working out all the elements that I'm going to be bringing to the pre-production package
Next steps
Following this feedback, I will start to make a schedule as I hadn't realised I had to make one before today. It makes sense though as I can make a list of what needs to be done by a certain date and share it with Katie and Alex. This way we can keep to the schedule and be on target for deadlines. As I am just the producer I will have the time to make this schedule very detailed and include everything.
This tutorial has also made me realise that I need to think of everything in a practical way. Any ideas Katie and Alex have I will think of the pros and cons and how we can do it practically, e.g. Alex wants to film at the Kent Owl Academy and get our vet to handle the owls, but they want to do it by filming different angles so it looks like the vet is handling it but it's the professional instead, otherwise our actor would also need to be a professional and that would be harder to cast.
I also noted that I have a creative overview as well as an organisational role, I didn't realise this, so I will have a say in the creative planning process, and during the shooting days.
I need to continue my research into producers and specific shows, look at their cast and locations and see how they benefit the show.
Next steps
Following this feedback, I will start to make a schedule as I hadn't realised I had to make one before today. It makes sense though as I can make a list of what needs to be done by a certain date and share it with Katie and Alex. This way we can keep to the schedule and be on target for deadlines. As I am just the producer I will have the time to make this schedule very detailed and include everything.
This tutorial has also made me realise that I need to think of everything in a practical way. Any ideas Katie and Alex have I will think of the pros and cons and how we can do it practically, e.g. Alex wants to film at the Kent Owl Academy and get our vet to handle the owls, but they want to do it by filming different angles so it looks like the vet is handling it but it's the professional instead, otherwise our actor would also need to be a professional and that would be harder to cast.
I also noted that I have a creative overview as well as an organisational role, I didn't realise this, so I will have a say in the creative planning process, and during the shooting days.
I need to continue my research into producers and specific shows, look at their cast and locations and see how they benefit the show.
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