Thursday 25 January 2018

'AS LIVE' PRODUCTION: Research into Being a Producer

As Katie and myself had the winning pitch, we are both producers for Steal the Style. Being a producer is a big role, they have the first and last say about all parts of the preproduction, production and post production stages. We will work together and "closely with directors and other production staff on a shoot" (Prospects, n.d.) and we will take charge of all aspects of each production stage.

In being producers, we will "be in on the fun of planning and executing a production...also deal with troubles during production and keep everything within budget" (New York Film Academy, 2017). 

There are different types of producers, these include:
- Executive producer
- Associate producer
- Co-producer
- Supervising producer- Segment producer
- Coordinating producer
- Line producer

I researched further into two different producers and what the roles consist of:

Executive producer (Dudo, 2011)
- The producer needs high energy levels within the fast paced environment - it's very hectic
- They have to think about many different things, such as leading a morning meeting, then a rundown of the show, before going down and setting up for the show.  
- While live, they can split themselves between the gallery and the studio floor, helping out the production crew. 
- "More gram than glam" - it's not as glamorous than what people think, behind the scenes of television, it's actually very hectic and busy.
- On breaks / adverts, the producer can help set up for the next topic.
- Once the show is over, preparations for future shows can begin.
- "It's very much a team effort" -  they all come together at the end and have a run down meeting. 

Co-producer (Start in TV, 2001)
A co-producer will take on the same jobs as an executive producer but with these additional jobs:
- Controlling the overall planning of the production

- Ensuring compliance with regulations and codes of practice 
- Identifying and selecting supporting artistes and contributors; controlling production expenditure
- Monitoring and controlling the progress of productions; and supervising the edit of a completed film

As Katie and myself will be working together we will be co-producers of Steal the Style

General responsibilities of a producer include:
- assessing ideas and finished scripts
- build and develop a network of contacts
- ensure compliance with relevant regulations, codes of practice and health and safety laws
- supervise the progress of the project from preproduction to post production
- hold regular meetings with the director to discuss characters and scenes
- act as a sounding board for the director

Skills include:
- confidence in ability 
- strong communication and people skills
- presentation and pitching skills
- strong time and resource management skills
- creative ability
- the ability to cope under pressure
- a strong head for figures
- leadership skills


How I can apply this research within my role of a producer:
In our case we are writing the script ourselves so we will have full control over what is said in the show.

I will be looking into Ofcom regulations to ensure the content of the show and what is said during the live show is within their guidelines.

Katie and I will be taking part in the presenter and contributor auditions to help pick who is most suited for our show, when we get to that stage.

Katie and I will be looking over the VTs, graphics and promo work and green lighting them when they are ready before the live show.

I've learnt that I need to be constantly communicating with the production team to ensure our ideas are met.

I need to be very organised because if I forget to do something until the last minute, this could interrupt the schedule leading up until the live show.


I am looking forward to being the producer of the programme and to have my ideas put into a real-life scenario. I think I will be capable of taking on the responsibilities of a producer. I am already assessing ideas from people and starting a rough script with Katie. We are also very talkative with both directors and explaining what we want out of this programme, as we are with the rest of the production team in our regular production meetings. 



References:
Prospects. (n.d.) Television/film/video producer. Available: https://www.prospects.ac.uk/job-profiles/television-film-video-producer. Last accessed 25th Jan.

- New York Film Academy. (2017) What Does a TV Producer Do? Available: https://www.nyfa.edu/student-resources/what-does-a-tv-producer-do/. Last accessed 25th Jan 2018.


- Dudo, V. (2011). A Day In The Life Of A TV Talk Show Executive Producer. Available: https://www.aol.com/2011/09/15/a-day-in-the-life-of-a-tv-talk-show-executive-producer/. Last accessed 25th Jan 2018.

- Start In TV. (2001). Co Producer. Available: http://www.startintv.com/jobs/co-producer.php. Last accessed 25th Jan 2018.

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