I really liked it because it is in 'our' time, as in it talks about Jimmy Saville and Rolf Harris and has Alan Carr at the beginning. Plus as it is about an important topic which has recently hit the news a lot in the past few years. Louis asked for us to interpret the visual aesthetics in the first and second episodes. I really liked the visuals in both episodes, virtually
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| Screenshot from 4OD's National Treasure |
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| Screenshot from 4OD's National Treasure |
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| Screenshot from 4OD's National Treasure |
are leaves falling off trees and the sun isn't bright and beaming all day, which then makes me think maybe they've kept with the low-light to emphasise the season and weather outside. Some of the walls in the Finchley household were black or painted a dark colour and the only light was from through the drapes at the window or from a warm-lighted lamp. The only scene so far which has had any sort of bright colour was when Paul's daughter, Dee, went to confront her former babysitter, Christina, about the accusation she made about her father. Her house is painted a bright red in places. However, the characters had shadows on their face and they were quite dark in general so they still managed to show the low-light.After receiving feedback from Louis, I researched expressionism to see if it applied to National Treasure. Expressionism is a style of film drama where the writer shows the inner world of emotion rather than external reality. This can relate to National Treasure because the writer manages to bring out the emotion in Coltrane's character by the atmosphere around him, even though he puts on a brave face to everyone else.
References:
https://www.google.co.uk/?client=safari&channel=mac_bm&gws_rd=cr&ei=wiH-V-bZF-GH6ASxg5bwDg#channel=mac_bm&q=expressionism



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