Below are my shot lists for my three different locations. These are the shots which I want in my film but they may change, e.g. if it rains or is too sunny and I have to change the set up of the camera.
House scene
Shot No.
|
Subject
|
Shot Description
|
Notes
|
1
|
Establishing shot of the house in which the bedroom scene
takes place
|
Wide shot, tilts downwards
|
|
2
|
In the bedroom, we watch Bella walk in from getting washed
and putting a dressing gown on ready to pick her clothes out for the day
|
Wide shot – close up of dressing gown – back to wide shot
|
At the end of this shot the word AUGUST come up telling
the audience what month it is.
|
3
|
We see Bella go towards the window and look out from
behind
|
Medium shot
|
|
4
|
Cut to being in front of her and looking at her sad
expression
|
Close up
|
|
5
|
Bella’s POV looking outside at the wind blowing through
the trees
|
Wide shot
|
|
6
|
Looking at the rain hitting the top of a conservatory
|
Medium shot
|
On this shot the word OCTOBER comes up in the bottom right
hand side of the screen
|
7
|
We then see the same thing but Bella is deciding between
jumpers and winter clothes instead of cami tops
|
Wide shot
|
|
8
|
Cut to Bella putting a coat on
|
Medium shot
|
|
9
|
Cut to Bella putting a hat on
|
Medium shot
|
|
10
|
Cut to it snowing outside
|
Wide shot
|
On this shot DECEMBER appears in the bottom corner
|
11
|
We see Bella typing an email to Alice
|
Close up
|
The camera is on the computer screen at this point
|
12
|
Looking at photo of Bella and Edward on the cupboard, the
photo then disappears/fades
|
Medium shot
|
|
13
|
Looking at photo on bed side table, photo then disappears/fades
|
Medium shot
|
|
14
|
Photo laying on scrapbook on the bed, photo then
disappears/fades
|
Medium shot
|
|
15
|
Bella is typing an email to her mum
|
Close up
|
Camera is back looking at the computer screen
|
16
|
We’re looking down on Bella curled up on the floor
|
Medium/wide shot, tilted downwards
|
|
17
|
Continuing email to her mum
|
Close up
|
Camera is on computer screen
|
18
|
Cut to look at Bella’s face and see the sadness
|
Medium/close up
|
|
19
|
Bella finishes the email and gets up and goes to the
window
|
Medium shot
|
We follow behind her as she moves to get up
|
The car scene
Shot No.
|
Subject
|
Shot
Description
|
Notes
|
1
|
Bella leaving the house and walking down the drive
towards the car
|
Wide shot
|
The shot will wide enough to get the house and car
in. Make sure other cars aren’t on the drive or not in shot
|
2
|
Car in center of camera, Bella putting bits in the
car. Charlie comes into the shot and shuts the car door
|
Medium shot
|
Getting the length of the car in
|
3
|
Bella
|
Close up
|
To see her reaction to Charlie telling her she’s
moving to Forks.
|
4
|
Charlie
|
Over the shoulder shot
|
|
5
|
Bella is in shot again, nods, while Charlie is
talking
|
Close up of Bella
|
|
6
|
Charlie is still speaking
|
Over the shoulder shot to Charlie
|
|
7
|
Bella while Charlie is speaking
|
Close up of Bella
|
|
8
|
Charlie
|
Over the shoulder
|
|
9
|
Bella
|
Close up
|
|
10
|
Charlie’s reaction to Bella saying she’s going
shopping
|
Over the shoulder
|
|
11
|
Bella
|
Close up
|
|
12
|
Charlie
|
Over the shoulder
|
|
13
|
Bella
|
Close up
|
|
14
|
Bella opens the car door again, but we’re still
looking at Charlie, once Bella is in we are still on him while he shuts the
car door
|
Over the shoulder, medium shot
|
Enough to see her open the door but still be on him
|
15
|
We’re looking at Bella through the open car window.
She nods, still on her and Charlie walks past the camera
|
Medium shot
|
|
15-16
|
Zoom in slightly to Bella, she starts the car and
drives off out of camera
|
Close up
|
Cinema scene
Shot No.
|
Subject
|
Shot Description
|
Notes
|
1
|
Looking at the sign above the cinema, below is Bella and
Jessica walking out after the film. We stay on them as they walk towards the
camera. Camera is stationary until they create a medium shot, then the camera
tracks backwards
|
Handheld, tilt downwards into a wide shot of the girls.
Continuous shot of the girls with the camera tracking backwards
|
|
2
|
We’re looking at Jessica while she is talking
|
Close up
|
|
3
|
Go back to looking at both of the girls
|
Medium shot
|
|
4
|
We hear the man’s voice and watch Bella turn
|
Close up
|
As she turns the shot goes into slow-mo as the time slows
down
|
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